Back Arrow is set in a world surrounded by impassably high, impenetrably thick walls whom those living inside revere as godly structures, and to even think about climbing over them is a grievous sacrilege. Much like VOLN’s other projects, this show isn’t exactly gorgeous, but it’s overflowing with artistic soul no matter which way you slice it. After MAPPA devolved into a nightmarish corporate hellscape shortly after its founding, Masao Maruyama and others like him fled the studio they just worked so hard to create to try again, and these individuals went on to make Studio VOLN and Studio M2, where they’re adapting decades old manga like Onihei and Karakuri Circus whilst also helping other equally old men make their own original oddities like Back Arrow, and the last thing they care about is profit. This studio is comprised of individuals who either lament the current direction of anime and who wish to return it to its classic roots which they find more favorable, or perhaps individuals who just love retro shit THAT much, and this becomes crystal clear looking through their catalog. The name “Studio VOLN” is an acronym for the phrase, “Visiting Old, Learn New.” Sure, the English is a bit broken, but the intention is clear. It’s just a traditional story which gets to have actual character development because the entire story has been thought out from beginning to end.Īnd I know you didn’t ask for my appraisal of the current anime landscape and are here to read about the naked idiot, first name Back, last name Arrow, but I’d argue the creators feel the same way I do, and they’re way less apologetic about it than I am. It doesn’t need to open with that one crazy cut of animation to serve as a promise for the action to come or that one cute waifu who’s merch is available now, because unlike its contemporaries, it isn’t built to go on forever, print as many volumes as it can, or set-up for next season. So many shows nowadays seem to allocate what little thought and effort was actually put into them toward crafting an attention-grabbing premise to hook the audience, but one which, nevertheless, simultaneously panders to them with all the same recycled tropes which the producers behind the show know the masses will love and pay for, but Back Arrow doesn’t care about having a mind-blowing premise it’ll never deliver on, because it can simply endear the audience naturally with genuinely likable characters and actually funny dialogue, or interest them in its original setting. The comedy, the simplicity, the straightforwardness, and the lack of any particularly pretentious elements make this show feel so genuine. There’s Gurren Lagann in the dialogue, bits of s.CRY.ed in the action, tons of Gun x Sword weaved throughout the entire presentation, and even an energy similar to Goro’s episodes of G Gundam all wrapped up in one creative package, and the result will certainly be a rare treat to any other boomers like me longing for the good old days where anime was more about reckless creativity than it was about chasing trends and optimizing algorithms. It’s not trying to be their newest, greatest masterpiece, and if anything it seems instead to want to refine its predecessors down to their most essential elements and walk away with a simpler, more laid-back, innocent experience. Back Arrow holds in its heart all the influences which its old and storied creators carry, but it’s not trying to outdo any of them.
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And if that didn’t at least make you smile, then you don’t know how to have fun.īack Arrow feels like it stepped out of a time capsule from the early 2000s, certainly not made with today’s audiences in mind, and it so boldly, delightfully embodies all that makes writer Kazuki Nakashima and director Taniguchi Goro stand out, it’s hard to even tell where one of them ends and the other begins. A naked idiot who doesn’t even remember his own name falls out of the sky, gets called a dumb bastard (a “baka yarou”), mishears the insult, and decides, yup, that’s my name: Back Arrow.
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